Stretching the Experience

Dearest Rachel –

April continues to move on, and we’ve made our way as far south as we wil. It’s finally warm enough for us to go around in T-shirts (not that Daniel is willing to shed his layers of clothing just yet), so we sit on the veranda balcony as we wait for our level to be called so that we can submit our entrance documentation yet again, thereby allowing us to set foot back in the country of Japan.

While we wait, we observe the stalls on the dock being set up. They even have a cute little mascot, standing around to greet visitors. At some point, one of its handlers points us out; they both wave at us, and we wave back. This looks like it’s going to be a friendly place to visit.
Turns out, our little mascot buddy (we can call him Jim, it seems) is the first mate; he answers to a dolphin mascot who serves as the skipper.
I don’t know where the harbor is that ChatGPT thought we would be berthed at, but where we are literally turns out to be in front of the Kanmon Kaikyo Museum, in the Mojiko Retro district. So one of the places we were reading about last night is literally right here; something for us to take note of.

As we sit waiting for our level number to be called (eighth and ninth decks go first – rank has its privileges, after all), we listen to soothing piano music being played on shore (although we can’t see any piano being played; we assume it’s just a recording). Regardless, it’s pleasant to listen to – and then, suddenly, we realize we recognize the song being played; it’s “Itsumo Nando Demo,” the closing song from Spirited Away, which we all always used to enjoy in its wistful melody.

We really didn’t expect to hear something familiar like that; much less something that touches us like this does.

Ten-thirty rolls around, and our level is called; but only the even-numbered rooms, and ours is room 6079. So we continue to wait, listening to the piano, and keeping the veranda door open to let the cool fresh air inside. I’ve had much worse times sitting around waiting for this or that.

Finally, we’re summoned to the lounge to go through the immigration procedure. It occurs to me suddenly that everyone on board, even those with no plan to go ashore today, will have to go through this, seeing as we’ve all come from Korea yesterday.

The line is much like at Haneda; it moves fast, but it’s still long enough that it takes a while, regardless. Just before we have our face-to-face interview, I find myself checking my phone to see whether we need to say ‘ohayo’ or ‘konnichiwa’ when greeting the official.

I hadn’t realized that the xeroxed copy of the customs form we got last night was what we needed to fill out; as a result, I end up have to fill one out on the spot. Fortunately, it’s not as if we’re bringing in anything that would require declaration, so it’s a relatively simple matter.

***

Somehow, the maps I had collected before breakfast fell out of my pocket when we went upstairs after passing immigration and customs; so we’re going to be flying blind today once again. Fortunately, we’re not the only tourists trying to make our way into the city on our own; we fall in with a group looking for the local train station. Unfortunately, the lot of us take a wrong turn and get lost trying to do even that simple task. Blind guides and all that.

We were actually approaching the station from the back side; had we seen this edifice, we probably wouldn’t have missed it.
Eventually, the lot of us manage to find the place (we’d simply turned the wrong direction when we spotted a group of parked trains, and reversed course), and begin the task of negotiating the ticket purchase process. For a moment, it looks as if I’m being nominated to demonstrate how to purchase these things (I’m the first to figure out how to access the English-language instructions), until it’s pointed out by an attendant that I need to buy round-trip tickets for two, which is a completely separate process.

We also learned that after purchasing two tickets for each of us, one is specifically for the trip out, and the other is for the trip back. I don’t realize this at first, since I put in the correct ticket to get the turnstile, but Daniel picks the wrong one and gets stuck. At least there’s an attendant to help him through.

Daniel points out that the floor pattern appears to be a series of QR codes; however, when I attempt to focus on any of them, I get no results. It may be due to not being connected to the internet, though.
We’ve been told that we only need to go past two stops, but those three segments of train line go all the way around the bay.
Finally, we arrive at Kokura, and disembark.
The place is very much like the Tokyo station; only now we can take our time, if we so choose. We have nowhere in particular to go, and most of the day to get there.
One interesting item here that I don’t recall seeing in Tokyo; this gentleman playing piano in the middle of the station, next to a flowering sakura tree.

After winding our way through a three-story mall, we make it outside. We take a quick note of where we need to get back to, and head on.

“I ❤️ Kita-Q.” I like the clever take on the New York slogan.
These shopping arcades just seem to go on forever in all directions.
Pachinko parlors, with their bright and garish colors, certainly compete for one’s attention, but not as much during the daytime. However, there are some more innocent divertissements to check out, such as this arcade. They have gatchapons on the first floor…
…UFO catchers on the third…
…and slot machines on the second. Okay, maybe they’re not so innocent after all.
Everything is loud and brightly colored; even the elevator in this grocery (or is it a drug store?)

Upon emerging into the sunlight, we spot a sign on the ground, directing the pedestrian to Kokura Castle, some six hundred meters off. So we head in that direction, dodging construction sites here and there along the side of the street.

We find ourselves at what I think might be the Riverwalk, although it’s considerably quieter than the one in San Antonio. Maybe that part of town is just further along. At any rate, we can see the castle to the right of the building in the center of the picture.
We cross the river to find ourselves in a garden. There’s a little pond below, but the paths we find only leads us out.
At least we wind up at the foot of the castle.
Turning right, we find ourselves at a merger of the old and the new; several stone toriis in front of the NHK and Riverwalk buildings
Inside (sort of) the Riverwalk building; it’s actually somewhat open to the elements. It’s also decidedly smaller in overall scale to the shopping arcade.
Inside the adjacent NHK building. It’s a really impressive piece of architecture.
We cross an old wooden bridge en route back to where we think the station is.
Across the street, we walk through an area that would probably be considerably less savory at night, if not exactly dangerous, per se (the touts emerging from each business still make me somewhat nervous, until we pass them). I have to explain the concept of ‘soap land’ to Daniel, and even at his age, it’s kind of awkward.
Equally awkward is when Daniel stops to take a picture of the cute mascot of this store’s yellow banner, missing another banner up the stairs with that same mascot telling anyone under 18 not to bother entering that part of the store.

It’s not long though before we find ourselves once again in the midst of the shopping arcade, so we know we’re on the right track.

In fact, we actually stumble upon the area we exited into from the station. A little soon for our tastes, to be honest.

Speaking of taste… Daniel’s actually getting a bit hungry, and desirous of a place to sit down. It proves somewhat challenging to find a restaurant that’s open and from which we can actually read the menu and order from.

We pass through several alleyways full of closed establishments – presumably pubs that keep hours to after business hours and on into the wee hours of the night

We do want to find something slightly familiar; Daniel doesn’t want to be served fish by accident, after all. In fact, he actually hankering for something we might consider a bit pedestrian; he hasn’t had a Japanese curry since we left Tokyo. The thing is, he points out, the food on ship has a deliberately international flair, but Japan hasn’t been one of the nations featured, and he kind of misses it.

We could have had a teriyaki burger at Macca’s, but you know him and burgers.
So we find a place, and each order a nice, comforting curry.
Thus satisfied (and having rested our feet for an hour), we make our way to the station – but not without checking out this shopping center on the left.

We find ourselves going up and down the escalators, from the second basement (where the parking lot begins) to the tenth floor…

..,where we are greeted by the sight of a curving escalator

We don’t find much worth purchasing, as such; we’re just mildly agog about how the place just keeps going and going, up and up and up. It’s the vertical equivalent of the horizontal endlessness of the shopping arcade. Sure, we have our Randhursts and Woodfields back home, but it’s really something how the Kokura district stretches the experience in every possible direction.

And with that having been said, I leave it to Daniel to make the final assessment of our visit here. He acknowledges that the cultural aspects of each location are interesting and important and all that, but sometimes you just need to get into the city, and experience what the locals do in a given day. We’ve done that for the last couple of days, here and in Busan, and it just feels a little more real.

I have to agree with him; it’s part of what I remember about Kyoto, even though I couldn’t go into any of the businesses, because everything was closed that day (for obvious reasons). He may not get the same impression of that place that I did (but how could he, after all?), but he and I are clearly on the same page in this respect.

It’s not as if you and I were together able to introduce him to this country we both enjoyed in our own ways, but I hope you would be pleased with the end I’ve been able to hold up.

Anyway, we’ve still got a number of places to stop at, so continue to keep an eye on us, and wish us luck. We’re going to need it.

Published by randy@letters-to-rachel.memorial

I am Rachel's husband. Was. I'm still trying to deal with it. I probably always will be.

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